I like photography most when it refuses to be understood immediately. Several of my series—including INTERFERENZ, Multivision Manhattan and Multivision Porsche Shanghai—are constructed from multiple photographic layers.
This is not a random effect. Transitions, friction, compression and abstraction are all composed deliberately until the separate moments form a new image.
In February 2026 I shared this approach in a talk and a series of hands-on Leica workshops in Hamburg and Wetzlar. We worked with the Leica SL system, but the real subject was not the camera: it was how an idea becomes a layered visual language.
