INFO

Yes! With pleasure!

I sell most of my independent works in small and strictly limited editions. Some also as NFTs. Please get in touch for availability and details.

Well, it depends, of course.

Prices depend on size, edition and framing. The larger and rarer an edition is, the more expensive it becomes. Some framing options are also more elaborate. Just get in touch and I will happily prepare an offer.

I am in the fortunate position that clients often approach me because of my independent artistic work and commission me to bring that creative language into commercial projects.

For Porsche China, for example, I developed Multivision Porsche Shanghai: multiple exposures of Shanghai city views and a vehicle, based on my MULTIVISION series. The images were shown at Photofairs Shanghai for Porsche’s 70th anniversary. I often work on projects like this as both photographer and creative director, usually with a small and agile team.

Indeed. It is an Ensō, a symbol from Japanese calligraphy. It can represent enlightenment, strength, elegance, the universe and emptiness.

In Zen Buddhist philosophy, painting an Ensō represents a moment in which consciousness is free and body and mind are unrestricted in the creative process. For me, that is a perfect parallel to intuitive photography and serendipity: finding images one may not have been looking for.

My Ensō remains open, suggesting that it is part of something larger and that fallibility, movement and development belong to existence. I painted it myself with ink on washi paper. It took several days and about 150 attempts to paint this apparently simple circle.

I work with a large network of professional, creative and helpful people: assistants, filmmakers, production companies, CGI artists and many others.

I am equally happy to meet new collaborators or work with a local crew abroad. They often know the place better and have excellent contacts. I prefer small teams because they allow us to stay agile and work quickly. In the end, teamwork makes the dream work.

No. Since I rarely need a permanent studio, I do not maintain one. I usually work on location, often with available light, although a full lighting setup is possible whenever the project requires it.

Through my network of colleagues and production partners, I can arrange and rent the right studio almost anywhere when necessary.

The classic answer is: it depends.

Larger advertising assignments, elaborate productions and intensive preparation naturally require different budgets. Before every commission I prepare a fair calculation and discuss costs transparently. Photography is both my passion and my profession, so let’s talk about the scope of your project.